Why is TV Better than Theater?

John From Cincinnati pulled off the one of the most unique scenes I've seen on stage or screen in last Sunday's episode. You can read the text here.

The scene and the speech is probably generating a lot of discussion by fans of the show --I'm not sure I count myself as one yet. But that discussion is going to be about what the speech means within the confines of the world Milch et al are creating. The question that leaps to mind for me is: why isn't theater doing anything this interesting or this confounding?

Sure - there's plenty of the self-appointed vanguard out there doing opaque work. But my exposure to that world has always included a feeling of "Well, if you don't get it, fuck you." The thing that confounds me about John From Cincinnati is how generous it is as it completely runs itself off the rails. Somewhere, somehow, Milch and company are saying "It's OK if you don't get it right now. Hang in there, come along for the ride."

Part of that is in the way they've built John's character. We've been taught in steps that he parrots words and that he rearranges those found phrases for his own meaning. Structurally, we've been prepared to hear and listen to John's speech. We've been taught the rules of John's behavior over the last four episodes and now the writers have taken those rules and built something suprising and unique.

So perhaps that's one structural lesson to take from the last episode: teach the rules of the world, riff on the rules of the world. In the shows of the self-appointed vanguardists, its often step one that's missing.

But what else is this show doing structurally to make it OK to be completely confounded?

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